This photo was taken against a white background with extremely intense lighting shone onto it. It was taken from an above angle in order for viewers to be able to see it in its full affect, and the plain background was purposefully chosen so that it could nicely contrast with the bold and striking colour scheme of the subject. The composition of the photo was also intentional so that you could clearly see that it had been ripped apart yet at the same time it still resembles its former shape. Out of the contact sheet, this is one of the neater more organised photos where the original and the transformed versions do not differ too drastically. I selected this particular flower as I though it would be an interesting and classic choice as well as it being one of the larger in the contact sheet, its presence also felt overwhelmingly noticeable. This example is more aesthetically pleasing than others due to its arrangement, but it also makes the idea of it having decayed seem hand-made on the contrary to it being of natural causes.
This example is far different from the last. In this particular scenario I refrained from picking at the subject and instead went for a more pulling/chopping approach, which in turn gave the flower a messier and less coordinated look once transformed. The stem has been cut up several times, and the leaves have been pulled apart and scattered all over the entirety of the frame. Although it still has bearing in relation to its original shape, it is a lot clearer from this photo than the last that the flower has deteriorated. The lighting remains very intense upon the subjects in this example also, which blends with the background to make it look a lot clearer and therefore portrays a sense of isolation in the shot. Again, in contrast to the last photo, this flower arguably looks as though it has decayed more naturally. The colour schemes to this flower are slightly blander, however, correspond with the plain background therefore making it seem better suited.
The blue-ish/purple-ish colour that this flower has is completely juxtaposed with the white background. Its composition is like a mixture of the previous too, looking slighting messy and unorganized yet at the same time resembling its previous shape to the point where you wouldn't regard it as being too different from the original. The focus of the photo is on the individual flowers that protrude from the stem rather than the stem itself, which has resulted in slight blur on the lower third of the frame rather than capturing the full image in complete precision like the previous two. Although this makes the photo seem less complete in comparison to the others, it also highlights the precise and intricate detail of each bud that has been neatly sliced and peppered around the perimeter of the stem.